music is nice f/k/a fantasy f/k/a snippets (of life, love & everything in between). produced in 2013, but shelved by the label. now finally out through omena. one could argue that these tracks mark the beginning of a creative journey for hnny. it s a brilliant parade of wonderful beats and melodies and a glimpse into the producer s musical thought process. for every track that delivers the expected, the next one does something quite extraordinary.

ras g back at it with more boom bap instrumentals.

the shanklin sessions came out of the shanklin road studio that andy sims shared with one of his partners from soft rocks, bobby coulman. acid jan started its life as a jan hammer edit that andy was doing for one of soft rocks disco powerplay releases. there were a few parts that never made the final cut, but were too good to leave, so andy got friend jaime read in to jam with the left over bits, and from that acid jan was born (none of the jans original parts made it to this finished re-incarnation). acid jan found it s way onto cynic label boss felixs usb and subsequently was played at every festival/club that felix played for about a year. when andy heard felix playing it at alfresco festival in 2016, they decided to release it on cynic. in search of a b side for the release, andy dug out the other dat s from the session acid jan was recorded at, and found sitars over shanklin, a suitably oddball track to grace the other side. a little piece of chicago via india recorded in brighton.

all profits are donated

pressing on black vinyl. including riso printed lyric sheet. over three years after the release of his latest record, belgian singer-songwriter bram vanparys finally returns with breathtaking new music. silent days comprises both classic songwriting reminiscent of the old masters such as leonard cohen and bob dylan and on the other hand dark, complex arrangements that refer to late talk talk and even radiohead.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

limited edition of 1000 copies for rsd 2019 release. double vinyl in gatefold sleeve with download code included.

limited rsd 2019 release - 300 hand-numbered copies on transparent vinyl.

limited and numbered 180 gram triple vinyl in gatefold sleeve with double cd included.

the 2nd album from frederikke hoffmeier and jesse sanes aka jh1.fs3 as limited edition of 400 copies on clear vinyl with download code included.

the 2nd album from frederikke hoffmeier and jesse sanes aka jh1.fs3 on black vinyl with download code included.

the second installment from la-based label, lemak records, has landed. featuring music from uk rising star, harry wills. wills, who has been on a tear as of late, explores a genre-less realm of music throughout his capri swung ep. ranging from jazz-infused breaks, to heavy bass-forward garage, to ambient sonic textures, the four-track release is filled with music fit for every mood a dance floor may need. always with love, lemak records

second release for the crew. vinyl only as well

second part of the de:10 series, celebrating 10 years of de:tuned. pressing on 180 gram vinyl, housed in full colour sleeve.

the piece de resistance of the collected 1984 - 1989 project, all the music on this lp has never been heard before

limited clear double vinyl edition, housed in a gatefold sleeve.

dj dfkt alias defekto

short-term memorys first cassette album, every head needs cleaning, with two previously unreleased tracks recorded in the 90s.

fresh ep by new jackson

bangin techno tracks on amelie lens label

jeff rushin on andre kronert s odd even. always looking to experiment with a wide range of sounds, a rushin-record aims is warm, energetic and different every time. as a producer, jeff is faithful to techno’s rhythmic machine-roots while also allowing emotion and atmosphere to slip through. this records shows why. mastering and cut by dubplates and mastering. artwork by markus suckut and cover picture by salar kheradpejouh. manufactured by matter of fact.

binh releases double pack from his own time passages. for the labels 10th release, it carries his own tracks and some collaboration work with evan baggs, sven röhrig und dj masda.

little beat different deliver another album-length release, this time, it s a young hardworking italian davide, found in the deepest abysses of soundcloud, providing tracks that are beyond conventional forms of house music and techno, ranging somewhere between ancient ritual rhythms and early morning afterparty club beats. as a bonus, aussie newcomer (or is he?) hence therefore, who with every single one of his releases shapes up his unique sound, comes up with his trippy take on uk bass with his remix of waiting grounds.

the beginning of the opus gives us clues indicative as to what will come. it immediately plunges us into an electrifying, occult atmosphere counterbalanced by an ethereal outro marking the end of our journey, taking us home. the vinyl hottan is a series of hypnotic tracks that delivers a message to our unconscious, every aspect of a this ep reveals to us what is most profound.

“the final sickness”, originally released in 1993, is another the mover masterpiece and its ten tracks transmit a crunchy thick and cold tone. edging to a rather industrial side of the techno spectrum, the pcp-spirit is carried throughout the release. every piece plunges to the bottom of darkest depths without remorse, leaving no space for the mild-mannered music lover. an eerie blend of hefty, yet intellectual 909 beats and chewy analog synths unite this collection of gems. haunting sequences, spooky effects and tough drums create an extraordinary venture for your deepest senses! if you’ve been into productions by the mover and planet core productions, you may just experience the pinnacle of his intensity with the final sickness. it can’t get more pcp than that!

limited 2019 repress , black vinyl- no need to say much about thomas p. heckmanns silent breed project, that turned, twisted, smashed and rocked big time in the 90s and into the new millenium ! acid fucker is still a must at every decent acid rave, sync in crashed the dummies of the german trainspotters

last copies arriving in january for a special price!
since it’s inception in 1991 on the streets of glasgow, soma records has stood for uncompromising quality of the highest level in every area it operates. stuart mcmillan & orde meikle formed slam during the acid house explosion in the late 80’s and then together with friends glenn gibbons & dave clarke they forged one of electronic music’s most widely known and well respected labels. with mcmillan & meikle as the figureheads with their slam project and influenced by the early detroit techno scene, soma quickly began to develop it’s own sound and with their eyes firmly fixed on a vision of the future, the team began the quest to instill their unquenchable thirst for electronic music into the world around them. soma quickly became an international brand as slam’s anthemic “positive education” brought about an electronic renaissance that saw the group thrust into the limelight and green lit the furious rise of the label.
limited edition 5x12 inch box set with illustrated vinyl sleeves, poster and stickers.

4 post punk rugged tracks

nice price deal !!! the ninth release on viennas meat recordings sees another ep by the label boss gerald vdh. >otto wagner green< marks the next big step forward in the artists career, as he explores his roots in bass music and neurofunk, while still maintaining the spirit of techno music in every piece included on the four tracker. the a-side features >creature of habit<, a stepping techno tune with drum&bass references and a remix by matt mor. on the flipside gerald pushes the limits even further. the title track >otto wagner green< is a melodic and breakbeaty declaration of love for his hometown vienna. the ep closes with bassy and trippy >against the current<. upon listening to his new release one has to say, that gerald vdh has definitely found his unique sound and his niche in electronic music.

vinyl only, 180g, hand drawn, hand stamped (with his own number). michel degen presents the new vinyl only label: >sanguina records.< the cover is hand drawn and every vinyl are hand stamped with his own number, so every record is unique, additional the vinyls are 180g. of course, a vision like this must be matched with music of equal calibre. for the swiss imprints debut, we have organize an impressive v/a featuring the productions of kepler., and.re, michel degen, mikhu, and drea. the v/a beginn with the side a1, the hypnotic >quiet storm< by and.re and michel degen. its a thought-provoking track with gorgeous melodies and slow, swingy romanian vibes. key-led tensions ebb and flow in this multi-layered cut, as each element effortlessly drives the track forward. with a kick that comes and goes, it becomes impossible not to get swept up in the tracks mind-melting loops. on the a2 is mikhus >sorry<, a groovier affair, with a teasing, wistful vocal. the tracks emotive effect is reminiscent of when patagonia’s >chi ci pensa< tugged at our heartstrings, but with a more melancholic flavour, fitting for the winter months. flip it over to the b2, where kepler. indulges his signature punchy flavour in >elp<. zappy hats and full bodied kicks intoxicate in this techier number. rounding off the four-tracker, is drea with >timestein<: a clubby body-mover, with a deep bass and hallucinogenic vocal. all four tracks move beyond the functional, offering listeners an intense journey that is perfect for dancefloor debauchery.

big news on the apparel tronic side. were here to celebrate another step forward of our newest label introducing the 7th release on the catalogue & 2nd on vinyl, by an artist we really admire and were delighted to have on board with us: julian habib aka inkswel, on this project with his alias that dude inkswel. the man himself created an 8 tracks lp which truly represents our spirit of experimentation, this time round steering towards a more jazzy influenced hip-hop, shaped up staying true to the sound we love. the sound lp features dope collaborations such as the detroit vocalist and multi-instrumentalist brownstudy singing on the opening and title track, the amazing progressive artist maia von lekow giving her voice for b1 track mother alongside mista monk, the superb han litzs flute and trujillo on kellin it & also divine species on galaxies and mr. shem rapping on a3 track dedicated to mr. schem. this work is a bold and captivating selection of different styles belonging to the same soul orchestrated by inkswel and his musical mastermind, listening to the sound is like jumping on a caravan for a journey where every track is a different stop: crunching beats, deep bass lines, psychedelic melodies. the ingredients for this amazing recipe are all coming from different parts of the planet, a place that inskwel seem to have written on his palms seen his capability of bringing different music influences under the same roof, where he finally invited apparel tronic to hang for a bit. racks such as ‘snooker club and ‘viejos delve into more caliginous, idm territory.

ltd repress! by now, chicago s home of the ghetto house movement, dance mania, should need no introduction! if you didn t already know, they are the original purveyors of that hard-ass, stripped back, tough, hitting electronic funk, they ve never held back with their output. operating since the late 80 s the label has gained legions of fans over 2 decades as well as a certain notoriety and one of their most well-known artists has got to be the legendary dj deeon and his various production pseudonyms! this, the second in a series of samplers focusses on some of his unreleased cuts, rarities and classics from the dm catalogue. kicking things off with the demented over-sexed jacking off of da dik suk this ep shows you what s up from the jump. lifted off 1996 s freak like me ep this is vintage deeon to the core! this is followed up with the minimal, acidic runnings of 1112 , from deeon s 1996 chop shop release, a wigged out, simplistic groove that just won t stop. classic chicago weirdness that simply just slams. the frenetic phenomenon opens up side b, produced under his mute pseudonym and originally released in 1997 this is a sure-fire rarity from the dm vaults. a tough one to track down and a real essential under the radar cut. also featured is the wild acid of playground productionz the box , here in unreleased (!) rare remixed form by another chi-town legend - paul johnson. top shelf business. last but certainly not least is another playground jammer in the form of the killer vertigo lifted off the same ep from 1994 which is surely enough to whet even the toughest of appetites. file under jackin . every track on here has been remastered and repressed with the full consent and involvement of dj deeon and parris mitchell, selected and programmed from deeon s private archives and dat tapes for above board, london. 100% hater free.

hand marked limited edition of 300 copies on multi-colour marbled vinyl. every vinyl comes in its own unique colour, touching on a spectrum of either red, yellow, blue or green. handmade and silk-screened cover.

shall not fade’s first ever album release comes in limited numbers on double 12” vinyl, with full sleeve artwork.

protokultura is brand new record label from saint-petersburg,russia.on the a side cristian vogel helps to launch the project with two rare tracks from the golden era,which were produced in 1992 and 1994. on the b side there is mikhail panchenko,the man behind protokultura project with his two hardware jams from the end of 2017.mastered at alchemy by matt colton

the latest release on arma comes from dutch legend and devoutly deviant underground operator ruud lekx, aka rude 66. with a legacy that reaches back to the early 90s and the rough and ready dutch electro sound of bunker records and the hague, hes maintained a distinctly non-conformist approach that touches on acid, italo, techno and more besides, all finished with the punky attitude that sets him and peers like unit moebius and i-f apart. the tracks gathered together on the witch trials ep come from throughout lekxs career. as the artist himself says, tracks from wildly different eras and sessions suddenly can combine to form one coherent ep. its almost like the a-side tracks were waiting for 20 years to be combined with the b-side tracks. the overriding theme that binds together these timeless machine excursions is that of medieval witch trials a global phenomenon that peaked in the 15-1600s. considering the suspicion, propaganda and mass moral panic involved in this strange curio of distant history, lekx points to the parallels with the current age, of political polarization and fake news accusations flying all over. the ep title is also a tribute to two records close to his heart: the falls live at the witch trials, and the one-off witch trials project by members of the dead kennedys, adrian borland and christian lunch. werewolves & poisoners and the crusade against idolatry are both archive tracks from the 1994-5 period when lekx made his first albums for bunker records.

three years incubation, visionquest compadre antonio thagma returns to follow up his evergreen ‘leather soul’ ep. taking off where his molten constructions left us in 2015, it’s another kinetic experience where the groove is full, and only, focus… and the one and only ricardo villalobos is on hand for a genuinely beautiful remix. ‘sferikum’ instantly locks you in: upbeat with a subtle strut and a maze of psychedelic textures, this one is all about the rolling subs that underpin every element, bringing everything together with fluid motion. it’s backed by the broken electroid charm of ‘everything i wanted’. spacious, pensive and laced with an array of dizzying details from sly acid sinews to crafty drum variations by way of a sudden heart-stopping breakdown. truly, this lives up to its name. complementing these two exceptional originals, and celebrating antonio’s return to visionquest at the highest level possible, villalobos has been recruited for remix duties. a key staple of his sets this summer, it’s a singular 13 minute trip rich in subversion, twists, glitches and surprises. but, as always, the groove is the full, and only, focus. welcome back antonio…

the 2nd longplayer from crooked man on double vinyl with download code included.

yotam avni on andre kronerts odd even. there are a lot of great israelian artists people should know. yotam belongs truly to them. straight from the pulsating city of tel aviv, yotam presents his first release on odd even. yotam and andre know each other for a long time so it was only a question of time to release this amazing release on andres label. the ep title is non-political but goa is known to be a place where every israeli travel to after serving the army. markus suckut, a close friend of both created an amazing remix with his fingerprints and striking suckut grooves. mastering and cut by dubplates and mastering. artwork by markus suckut and cover painting by raya avni. manufactured by matter of fact.

deluxe edition - transparent 180 gram double vinyl in gatefold sleeve with download code included.

standard edition - black 180 gram double vinyl in gatefold sleeve with download code included.

four years after his breakthrough, max graef returns to tartelet records with his second solo album, “lo siento mucho pero no hablo tu idioma”. a dungeon dub symphony in four parts, “lo siento mucho pero no hablo tu idioma” is an album’s album. brimming with new and old guests, interludes and bonus skits, it’s a consummate sketchbook of graef’s most unique music to date. “every bit of music or work represents the mood and skills of a certain period,” he says.

beraadgeslagen, or drummer lander gyselinck (stuff., labtrio, etc) and keyboardist / singer fulco ottervanger (stadt, de beren gieren, etc) together on the tandem. a musical think tank with drums, keys, texts and bells. for ten years they have been playing together in the most invisible places, but every now and then they show themselves to the world with disco classics that never reached the market. soulful and unpredictable. funcy 2018. balancing between surrender and control, that s how beraadgeslagen, and music in its entirety, is at its best.de standaard like the music at an amusement park attraction the efteling fairies on acid, something like that, or as a mo wax groove that was teleported from the nineties. – de morgen

finally after years of quality techno and music,pushmaster discs is proud to present the 20th release of the label with the label boss mattia trani and his solo ep.
this time mattia chosed a banging tune “time struggle” with the first new school version, classic heavy techno beat with saturated 303 sub melodies and a futuristic pad to complete this version. the old school version is more percussive acidic, no pad melodies, no compromises, just straight to the point for killing every dance floor.
in the b side there’s a perfect rework from a dutch techno master steve rachmad as sterac, more 909 clean beat rhythmic and minimal detroit infected. the last track “floating life” is a typical drum’n’bass spirit influence of mattia, 170 percussive beat with space pads typical of 90 jungle works in the uk.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

visionquest return to their special edition vinyl-only series and welcome a new friend to the family: greek craftsman bodj. following a remarkable run of releases on the likes of his own audiorama and memoria earlier this year, the athens-based dj continues his vein of form with these four wide-ranging tracks... ‘parusha’ takes the lead with warm tones and textures. airy pads and an insatiable chicago-like bump to the voluptuous bassline ensure this grabs full attention the moment it enters the mix. it’s backed by three other vital cuts that express bodj’s true breadth and vision: ‘miaplacidus’ celebrates one of the brightest stars in the night sky with a stripped back, sub heavy hypnotic groove, ‘phantom’ kicks with timeless house dynamics that subtly evolve, twist, turn and fold into each other over its eight minute journey before we end with the wonderfully titled ‘trip to planet love’. once again showing bodj’s scope and stylistic flexibility, it closes the show with a hip-wriggling electro twist. slinky breakbeats, bubbling bass and a space-age feel, it’s every bit as cosmic and full of love as its title suggests. a perfect way to end another perfect visionquest trip. happy travels..

-rhythm collision- is a sublime three tracker sun soaked jazz infused ep, delivering stunning balearic summer vibes for a proper dancefloor jolt.

after years of playing with the moroccan community of brussels, music maker and jazz musician luc mishalle knows every trick of the cross-fertilization of gnawa music, jazz & brass. gnawa is the northern african islamic sufi music with healing vibrations and spiritual lyrics, played by the descendants of african slaves. the album title “beats & pieces” refers to the collaborations with belgian percussionist roel poriau (think of one, antwerp gipsy-ska orkestra), tunisian electronic producer sofyann ben youssef (ammar808, kel assouf) and moroccan-belgian gnawa master maalem driss filali.

argot records was born in 2006 in riccione (italy) from the stable relationship and friendship of the two musicians and djs pepe and giaga. they created it to make their music more freely, without impositions, with an own identity, fascinated on every kind of test.